Royce Ng

Funded by Arts Council Tokyo
30 July - 5 September 2022 12:00-19:00 *Open Fri. Sat. Sun.






ASAKUSA is delighted to announce the opening of Royce Ng's solo exhibition "THE DEATH OF MANCHURIA...IS THE PREREQUISITE FOR THE BIRTH OF POST-WAR ASIA" from 30 July, 2021. Taking Shiro Ishii of Unit 731—Japan's covert biological and chemical warfare unit during WWII—and the Kyoto school philosopher Keiji Nishitani as dual protagonists—the “philosopher with a scalpel’, State Alchemist I: Body without Organs (2021) is a newly-commissioned essay film co-written with artist and curator Nikolay Smirnov and co-directed with filmmaker Daniel James Demuth. It employs theory fiction, the language of horror cinema and apocalyptic sci-fi, referencing Deleuze-Guattari, Buddhist-grounded Kyoto School, and current pandemic anxieties. Alongside, Ng's lecture performance Kishi the Vampire (2016) will be shown for the first time in Japan. We welcome your visit with your mask on—a splash of disinfectant spray provided.

This exhibition is currently online in this link. The website is in Japanese and currently accessible only within the region of Japan.

ASAKUSA is a 40-square-meter exhibition venue for contemporary art programmes committed to advancing curatorial collaboration and practices. The programs follow the artistic development since Futurism, Dada, Fluxus, the emergence of video art and institutional critique, while providing a historical framework to the local art context. It has worked with artists Thomas Hirschhorn, Rirkrit Tiravanija, Yoko Ono, Anton Vidokle and Hito Steyerl amongst others, while introducing Japanese early avant-garde collectives such as Mavo (1924-25) and documentary filmmakers Prokino (1929-31). Artists talks, discussions, academic symposia and publications are produced alongside these programs.

Asakusa opened in 2015, with an aim to co-curate exhibitions with researchers of diverse academic fields, and to focus on programmes which combine community-based initiatives with social and political agendas. The organisation is run by a small voluntary team —currently of two people— recruiting additional members to execute each project. This year, it launched “Asakusa Entertainments”, a serial exhibition of videos and films which critically reviews the history of mass culture and entertainment industries. The programme intends to promote discursive culture in the gallery’s neighborhoods, through inviting artists to deliver talk, performance and to produce new work in commission. Both print and digital publication of “Asakusa (Journal)” is currently under way.

Gen Adachi / Khalid Albaih / Serafín Álvarez / Aoyama | Meguro Gallery / ARCUS / Masaru Araki, Okayama University / Taka Atsugi / Oliver Beer / Pauline Boudry, Renate Lorenz / Federica Buzzi / Yin-Ju Chen / Daiwa Anglo-Japanese Foundation / Guy Debord / Vincent W.J. van Gerven Oei / James T. Hong / IM Heung-soon / Thomas Hirshhorn / Mikhail Karikis /Kawakami Laboratory / Makoto Kinoshita / Yuki Kobayashi / Lawrence Lek / Matthieu Lelièvre / LUX / Tomoyoshi Murayama / Akiyoshi Nita / Yen Noh / Eiji Oguma, Keio University / Tatsuo Okada / Toki Okamoto / Yoshua Okón / Yoko Ono / Koichiro Osaka / The Otolith Group / Luke Caspar Pearson / Raymond Pettibon / Prokino / Sanya Labour Welfare Hall Action Committee / Sanya Production and Screening Committee / Mateusz Sapija / Mitsuo Sato / SCAI The Bathhouse / Tomoko Shimizu / Santiago Sierra / Kristin Surak / Swiss Embassy, Tokyo / Rirkrit Tiravanija / Anton Vidokle / Kyoichi Yamaoka / Masamu Yanase / Héctor Zamora and more.

Current project members:
Koichiro Osaka, Mariko Mikami

Koichiro Osaka