Shita (under)

Yoshua Okón
A project in collaboration with Asakusa
Supported by Taito City, Arts Council Tokyo, The Asahi Shimbun Foundation, FONCA (Secretaría de Cultura)

OCT

20

-

NOV

11

Asakusa is pleased to announce the opening of “Shita (Under)”, Yoshua Okón’s second solo exhibition with the space. Taking the specificity of each geo-political event, Okón creates situations through which fiction and reality intersect. As a convergence of staged situations, documentation, and improvisation, his work is akin to sociological experiments executed for the camera, and explores issues of labor, authority and its legitimacy, referencing an universal social problem. Based on rigorous research and close intersession with the people in question, Okón‘s work attempts to turn the spectator into an active agent, and makes uncensored commentary on our social realities today.

助成団体

ASAKUSA is a 40-square-meter exhibition venue for contemporary art programmes committed to advancing curatorial collaboration and practices. The programs follow the artistic development since Futurism, Dada, Fluxus, the emergence of video art and institutional critique, while providing a historical framework to the local art context. It has worked with artists Thomas Hirschhorn, Rirkrit Tiravanija, Yoko Ono, Anton Vidokle and Hito Steyerl amongst others, while introducing Japanese early avant-garde collectives such as Mavo (1924-25) and documentary filmmakers Prokino (1929-31). Artists talks, discussions, academic symposia and publications are produced alongside these programs.

Asakusa opened in 2015, with an aim to co-curate exhibitions with researchers of diverse academic fields, and to focus on programmes which combine community-based initiatives with social and political agendas. The organisation is run by a small voluntary team —currently of two people— recruiting additional members to execute each project. This year, it launched “Asakusa Entertainments”, a serial exhibition of videos and films which critically reviews the history of mass culture and entertainment industries. The programme intends to promote discursive culture in the gallery’s neighborhoods, through inviting artists to deliver talk, performance and to produce new work in commission. Both print and digital publication of “Asakusa (Journal)” is currently under way.

Gen Adachi / Khalid Albaih / Serafín Álvarez / Aoyama | Meguro Gallery / ARCUS / Masaru Araki, Okayama University / Taka Atsugi / Oliver Beer / Pauline Boudry, Renate Lorenz / Federica Buzzi / Yin-Ju Chen / Daiwa Anglo-Japanese Foundation / Guy Debord / Vincent W.J. van Gerven Oei / James T. Hong / IM Heung-soon / Thomas Hirshhorn / Mikhail Karikis /Kawakami Laboratory / Makoto Kinoshita / Yuki Kobayashi / Lawrence Lek / Matthieu Lelièvre / LUX / Tomoyoshi Murayama / Akiyoshi Nita / Yen Noh / Eiji Oguma, Keio University / Tatsuo Okada / Toki Okamoto / Yoshua Okón / Yoko Ono / Koichiro Osaka / The Otolith Group / Luke Caspar Pearson / Raymond Pettibon / Prokino / Sanya Labour Welfare Hall Action Committee / Sanya Production and Screening Committee / Mateusz Sapija / Mitsuo Sato / SCAI The Bathhouse / Tomoko Shimizu / Santiago Sierra / Kristin Surak / Swiss Embassy, Tokyo / Rirkrit Tiravanija / Anton Vidokle / Kyoichi Yamaoka / Masamu Yanase / Héctor Zamora and more.

Current project members:
Koichiro Osaka, Mariko Mikami

Director:
Koichiro Osaka